At this point, your vocal should be sounding pretty good. There should be no noticeable frequency problems, leaving you with a very natural-sounding performance. Next, you’ll want to focus on adding color and character to your vocal using additive EQ.
Looking to infuse your guitar playing with the whining, whimpering and screaming tones of your blues heroes? Here’s a tonal menagerie of pedals to help!
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But to begin with, let’s approach these phenomena with a sound much simpler than a hand clap — a sinusoidal (or sine) wave. If we depict it as a waveform (like in the above graphic), we’ll see a signal that passes smoothly from peak to trough and back again with beautiful, equal curves on either end.
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