Chorus impact accentuators, often abbreviated to “CIAs,” is a term that’s still fairly new in this category — whether people know about it at all yet — but it keeps popping up more and more nowadays. Simply put, chorus impact accentuators are any element in a production that makes the chorus more impactful and powerful. That can be a reversed crash cymbal sample that flares up and preps our ears for a drop, or even a half a measure of complete silence leading up to the chorus, making its arrival all the more epic.
Morricone, Rota, Cipriani, Umiliani, Piccioni, Ortolani, Trovajoli: They’ve all influenced my work in countless ways, and not just in their shared collaboration with Edda Dell’Orso. Starting with Morricone and working my way down the line, I’ve tried to study the work of these composers as deeply as I can, and discover what it is about the kind of music they made which speaks to me on such a profound level.