Not much is known about Agnesi’s life after she married Pier Antonio Pinottini and took his name, and much of her music is either lost or undated. However, we do know that she received generous compositional patronage from Holy Roman Empress, Maria Theresia Walburga Amalia Christina, and another female noble composer, Maria Antonia Walpurgis. The Holy Roman Empress apparently sung Agnesi Pinottini’s music publicly. There is a story that Agnes Pinottini was part of an organizational committee that invited the 14-year old Mozart to play in Milan in 1770 and present at his performance. She composed some operas, as well as quite a bit of keyboard and vocal music for small chamber ensembles.

Like any new entrepreneur, songwriters may themselves experience cash flow problems and look for additional financing to keep the lights on. However, unlike businesses that have inventory to put up as collateral, songwriters have only their intellectual property and the royalties that property can earn. This limits the options from traditional banking sources and requires songwriters to seek out alternative funding that’s available as an advance against royalties or from selling some rights in exchange for quick cash.

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