I had already made an instrumental track last month, so I wanted to do something a little different this time around. With Kim’s vocals used as a garnish, I was starting to hear this as a vocally-driven track. I carved out sixteen bars that a rapper could flow over and sent it out to a few friends to see if they might be interested. But after a week of back and forth, the schedules weren’t lining up to get this track done in time. So, as is so often the case in making music, I had to adapt.
Residencies help us feel renewed and able to dive right into our practice, removing the excess stress of everyday life. Sometimes you just have to get away to get inspired. So we’ve put together a delectable list of some of North America’s most captivating arts and music residencies, in case you’re on the hunt for your next creative adventure. Enjoy!
Chip It Challenge judge, glomag made a beautiful and impressive Game Boy-and-guitar version of Ennio Morricone’s epic spaghetti western score from The Good, the Bad and the Ugly.
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Lalita and her family, pets included, are safe now, and she is grateful. A total of 16 deaths have been confirmed, but experts believe the count is much higher, and that it will continue to increase. (People who rely on oxygen, dialysis and other life-saving measures that require electricity are not being considered by officials.)
So, now that you’re equipped with some of the tools and knowledge of the most common forms of song structure, keep in mind yet again that there are no rules to songwriting! There are only basic ideas and pieces of advice that you can borrow from as you sit down and create something that’s meaningful to you! It’s helpful to have these weapons in your arsenal. When it comes down to it, the best thing you can do as a new songwriter experimenting with song structure is to try and write with all kinds of structures and figure out what works best for you.
Nice work. This idea of changing melody with changes in lyric is called topic movement and it’s a winning technique for stopping endless lists of lyrics with no direction that can really clog up your listeners’ ears. Professor Andrea Stolpe, of USC’s Thornton School of Music, expands on this below.
As it turns out, when Lang heard Ischi do his thing, he was so impressed that he took him under his wing. Think about that for a second. That would be like a kid obsessing over Wilco albums, getting really good at writing songs, and eventually getting the chance to be mentored by Jeff Tweedy.
Americans for the arts
The main thing I have students do in music tech class is make original music and lots of it. So the question immediately becomes, how do I even begin to objectively assess that stuff?
Absolutely. We didn’t have a blueprint on how to build any of our tech, so there was a lot of trial and error. We were an incredibly lean team for the first three years as we experimented, tested, and iterated our tech to a point that we could prove that our algorithms worked! There were plenty of sleepless nights and countless hours of staring at spreadsheets before we got our classification right. We aren’t done yet either, but most importantly, we have proven that the technology works and, now, we are taking the A.I. to the next level.
Once you’re on board with knowing that venues and club promoters aren’t charity organizations chomping at the bit to help you promote your music, learning how to describe your sound and successes is the next vital step in making your band more bookable. This is essential for creating an engaging pitch designed to tell venues why you’re worth booking.
I’m happy you think it sounds varied! Of course, I’ve been freaking out for awhile about the exact opposite; when I listen I of course hear a lot of similar patterns, progressions and melodies, which worries me a bit. Ultimately, I try to maintain a sort of “been there, done that” mentality to writing new music, meaning that if I find myself venturing into too-familiar territory I look for ways to steer myself towards a new direction.
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.