One of those such masterworks, unearthed and posted to YouTube four years ago, has since become so legendarily saved that it’s not only finally receiving its due in commercial triumph, but it’s also revitalized the career of its creator in the process. If you don’t already know, that record is percussionist and composer Midori Takada‘s debut solo album, Through the Looking Glass, released originally in 1983.

In 20th and 21st century music there is a lot of imagination and experimentation, and strong interest in spirituality in general. But there isn’t much of this kind of intimate interweaving of specific sounds with concrete theological symbols. Composers like James MacMillan are exploring this sort of theology-based musical practice, as one writer describes his work, “giving the symbols and signs of Christianity their own flesh-and-blood physicality.” Others like Arvo Pärt use related methods in a broader sense. And surely there are other creative musicians working in this vein today.

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Soundfly courses are interactive, practice-based, motivational, and inspirational, and these are just some of the reasons why our students have continually come back to us with positive feedback, even more positive results, and often to take more courses in other fields.

Well, you’re going to need a tuner pedal; all that hard, consistent strumming is bound to detune some of your strings after every couple of songs! Tuning by ear is pretty tough in club gigs, so it’s always handy to have a direct-signal going into your chain. Almost every guitarist I know uses the Boss TU-3, but the Korg PB01 works just as well and is cheaper! Boss and Korg are household brands. We’re just talking about a tuner pedal here, it doesn’t need to be high end. My trick is to put my tuner at the end of my effects chain, so I can mute all of my FX noise abruptly just by stepping on it once. It’s a lot of fun with powerful climactic endings.

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