Cole Porter’s standard, “I Love You,” sung below by Sarah Vaughan, provides a broad, sweeping plunge into the major seventh interval. Listen as Vaughan sings “Love” and “You” after briefly holding on the “I” around 0:21.
Either way, mobile streaming seems to have stolen all of our beloved video stars with irrefutable might. But today, as we welcome back one of the strangest global holidays, World Television Day, let’s reflect on the irrefutably mighty influence that television has had on the development of music in the 20th and 21st centuries.
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One such example of horizontal hemiola that follows a similar design appears in George Frideric Handel’s iconic “Alla Hornpipe” from his Water Music Suite No. 2. In the video below, the hemiola occurs about 13 seconds in. It’s easiest to notice this happening in the harmony voices, which switch from a 3 feel to a 4 feel, with quarter notes being momentarily grouped in sets of four and groups spreading across the bar line. Without changing time signatures, the pulse of the music momentarily changes, resulting in a perfect example of horizontal hemiola.
I probably cheated by throwing a festival in the mix, but there are a lot of great songwriters playing Gigawatts Festival, a 3-day romp in East Williamsburg featuring 80+ bands spread out at The Wick, The Well, and Our Wicked Lady. My favorites are tight dream-pop weavers Celestial Shore and art-soul-freaks Ava Luna. These guys exemplify songwriting as a true team effort, allowing for lots of colors and variations from each player. My band is playing as well (Saturday at 2:30pm); but it’s hardly worth mentioning, as I assume you’ll all still be in bed recovering after a week of taking in all of the excellent music this town has to offer!
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A firm fixture in the late 20th century avant-garde scene, Bertoncini’s abilities as a pianist also led him to perform piano repertoires from the Baroque era through the early modernist canon, and even piano and keyboard pieces written by Terry Riley and John Cage. He wrote numerous pieces for solo musicians and ensembles that include a variety of instruments and acoustic environments and treatments, such as Japanese gongs, prepared piano, speakers, mimes, photoelectric motors, sitars, “kinetic shadows” (whatever those are), and — of course — many Aeolian harps. Yeah, he was a weirdo, and an enormous influence on the late 20th century Italian avant-garde.
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These bass lines are often much simpler, yet follow the same basic rules as electric bass lines. You have a couple options for how to go about programming these, but let’s start with the sound.
Seeing that contrast between where she started to where she is now is just so incredible from a fan’s perspective because they know they’ve helped her make that journey.
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