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Learn how to use these scale modes and more in our harmonic theory double header courses, Unlocking the Emotional Power of Chords and The Creative Power of Advanced Harmony.
Helene Berg knew of her husband’s love for Fuchs-Robettin, and it seems likely her attempts to scuttle the completion of Lulu were at least in part motivated by this. She died in 1976.
American chamber music society
Like the tonality, the tempo here is also slippery. I’m calling it 119, and not 59 BPM. Usually the snare on the 2 and 4 is the king that decides meter in pop and rock, so it’d be 59 BPM. However, the lyrics are delivered so quick that I just gotta go with the more double-time feel. It’s right in the BPM sweet spot where either tempo label works. Last, we have some creative treatments of the choruses. The first chorus is really a half-chorus with an added measure (very cool!), and then it’s a regular chorus when it comes back around. And then when it finally comes back around at the end, you gotta call it “C2” (chorus variation) because of how it’s modified to act as the song’s outro.
Far too many first-rate bands can’t seem to make the leap from playing great shows in smaller clubs to playing big rooms on bills that people are actually excited about. A few years of playing smaller rooms and your band should be ready to start making a name for itself. But toiling away in obscurity, waiting for someone to discover you isn’t a viable way to make it as a musician. And if you live in a hyper-competitive music market such as New York City (like I do), you really can’t just wait around.
Tredici Bacci’s new album, La Fine Del Futuro, is out now via NNA Tapes. And if you’re in New York City, Simon Hanes and Tredici Bacci will be presenting new work on June 26 at National Sawdust. More info here.
Chip It Challenge judge, glomag made a beautiful and impressive Game Boy-and-guitar version of Ennio Morricone’s epic spaghetti western score from The Good, the Bad and the Ugly.
This course is for producers, rappers, musicians, songwriters, and even people with no prior knowledge of hip-hop whatsoever who want to learn their way around the genre and culture of hip-hop and get their feet wet immediately. You might be a seasoned producer looking to add this genre to your toolbox, a musician looking to collaborate with artists in the hip-hop sphere, or an up-and-coming artist trying to open up some new opportunities and make it big. No matter what your intentions, we’ll help you make some great music at home.
Personal grants 2019
I think “Musica Ricercata” represents a little compendium in advanced composition. The absence, or the reduction to a minimum, of three of the main and most recognizable parameters in music (harmony, melody, timbre) clearly shows how it is possible to use the other parameters (dynamics, tempo, register, articulation, and rhythm) to create a sense of directionality, growth, and change to the music.
Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.
Be careful here. Don’t turn it up too loud and fool yourself into liking the result just because it’s louder. Do your best to match the input volume with the output volume of the compressor. We tend to think louder is better when it’s not really better, it’s just louder. Here’s a short video tutorial I shot below to show all of this in action on a mix I’ve started. Check it out!
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